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2018 studio album past Nicki Minaj

Queen
Minaj posing on a fallen tree trunk in front of a setting sun, wearing pasties and Egyptian head beads.
Studio album by

Nicki Minaj
Released August 10, 2018 (2018-08-10)
Recorded December 2016 – August 9, 2018[1]
Studio
  • Criteria (Miami)
  • Figure (Detroit)
  • La Grande Armée (Paris)
  • Glenwood Place (Burbank)
  • Kingdom (Beverly Hills)
  • SremmLife (Los Angeles)
  • Jungle Metropolis (New York)
  • Germano (New York)
  • Premier (New York)
Genre Hip hop[two]
Length 66:19
Label
  • Immature Coin
  • Cash Coin
  • Republic
Producer
  • Beats Bailey
  • Ben Billions
  • Domenic Garofalo
  • Boi-1da
  • Ashley "Blank" Bannister
  • Chris Braide
  • Cirkut
  • Cubeatz
  • DJ Wes
  • Frank Dukes
  • Illmind
  • Invincible
  • J Beatzz
  • JFK
  • J Gramm
  • JMIKE
  • J. Reid
  • June Nawakii
  • Kane Beatz
  • Labrinth
  • Mel and Mus
  • Messy
  • Metro Boomin
  • Mike Will Made Information technology
  • Murda Beatz
  • Pluss
  • Rashad Smith
  • Rex Kudo
  • Sevn Thomas
  • Supa Dups
  • Zaytoven
Nicki Minaj chronology
The Pinkprint
(2014) 		Queen
(2018)
Singles from Queen
  1. "Chun-Li"
    Released: April 12, 2018
  2. "Bed"
    Released: June 14, 2018
  3. "Barbie Dreams"
    Released: August fourteen, 2018
  4. "Good Grade"
    Released: November 29, 2018

Queen is the fourth studio album by Trinidadian-born rapper Nicki Minaj. It was released on Baronial 10, 2018, through Young Money Entertainment, Cash Money Records and Commonwealth Records. It is Minaj'due south first album in almost 4 years, post-obit The Pinkprint (2014). The rapper started recording the anthology throughout 2017 and 2018 and collaborated with a handful of producers to reach her desired audio. It features invitee appearances by rappers Eminem, Foxy Dark-brown, Hereafter, Swae Lee, and Lil Wayne; and singers Ariana Grande, Labrinth, and the Weeknd.

The album's release date was delayed earlier ultimately existence released a week alee of schedule. It was supported by the singles: "Chun-Li", "Bed", "Barbie Dreams" and a remix of "Good Form". To further promote the anthology's release, Minaj launched her own radio testify, titled Queen Radio, which aired on Beats 1, fabricated several television appearances and live performances, and began The Nicki Wrld Bout in February 2019.

Queen debuted at number two on the Billboard 200 albums nautical chart and received generally positive reviews from music critics, who praised the production just derided the album's length and lack of direction. It debuted at number two on the US Billboard 200 with 185,000 anthology-equivalent units, of which 78,000 came from pure album sales. It charted inside the meridian ten in other music markets, such every bit Australia, Canada, Netherlands, Republic of ireland, New Zealand, Norway, Switzerland, and the United Kingdom. The anthology was certified platinum by the RIAA in January 2019.

Background and evolution [edit]

Following the release of her third studio album The Pinkprint in 2014 and the terminate of The Pinkprint Tour in August 2015, Minaj went into Hot 97's Ebro in the Forenoon in October 2016, where she was asked for details most her upcoming anthology, responding, "The album is so freaking epic, simply it's a journeying right. Before my get-go album came out, I was on everybody's song; I had my own campaign without realizing it. Right now, I have to consummate a few things for other people."[three] During following interviews Minaj claimed her fourth studio album would be her "best trunk of piece of work", "a archetype hip-hop album that people will never forget,"[three] and an era "a billion times more than epic than anything 'Anaconda' could take delivered."[4]

In October 2017, Minaj opened upwardly for T Mag about her vision for the album. "Sonically, I know what the album's about to sound like," she said, "I know what this album is gonna mean to my fans. This anthology is everything in my life coming full circle. [...] At present, I can tell yous guys what happened for the last two years of my life. I know who I am. I am getting Nicki Minaj figured out with this album and I'yard loving her."[5]

Music and lyrics [edit]

Queen is a hip hop[2] anthology that likewise contains elements of trap, dancehall, reggae, pop, and R&B.[6] [7] The opening track "Ganja Burn down" is a reggae-inspired isle-popular vocal,[8] [9] in which Minaj defends her position in the music manufacture.[eight] The following track "Majesty", featuring Eminem and Labrinth, is a pop-rap song that "sinks under dated piano chords, melodramatic string swells and a grating vocal hook."[ten] [11] The third runway, "Barbie Dreams", samples The Notorious B.I.G.'s 1994 song "Simply Playing (Dreams)". While The Notorious B.I.G. rapped about his sexual want for popular R&B singers, Minaj roasts male person artists, including Drake, ex-boyfriend Meek Mill, Eminem, DJ Khaled, 50 Cent, Immature Thug, Swae Lee, Lil Uzi Vert, Fetty Wap, Quavo, Desiigner, Futurity, and YG.[12] Minaj clarified that the runway just targets individuals she loves, and claimed information technology is not actually a diss track.[13] [fourteen]

"Rich Sex", featuring Lil Wayne, is a trap song, in dissimilarity to R&B song "Thought I Knew Y'all" which "sports some of Queen 'south lushest production".[ten] In "Thought I Knew Yous", the Weeknd, a featured artist on the track, contribute to the lament over estranged lovers[fifteen] with Weeknd's "buttery tenor serving every bit the perfect counterpoint to [Minaj's] clipped, Motorcar-Tuned raps and distorted vocals."[xvi] Swae Lee, of hip hop duo Rae Sremmurd, is likewise featured on the album.[17] Brendan Klinkenberg of Rolling Rock opines that Lee steals the spotlight on this track with his "fragile falsetto" with Minaj "deploying clearly demarcated, darting verses." Minaj named their vocal "Chun Swae" after her collaborator. At the end of this track, Minaj boasts to her listeners "Y'all're in the middle of Queen right now, thinking/I see why she chosen this shit Queen/This bitch is really the fucking queen—ahh!" earlier bursting into a maniacal laugh.[18]

The anthology's pb single, Chun-Li follows immediately. "Sir", featuring Future, was one of two tracks added afterward the other 17 songs in the album.[19] Diverseness described "Come up Run into Nigh Me" equally "a soft, sculpted ballad that allows Minaj'south rap-singing romanticism to nestle in a richly opulent setting."[20] Foxy Brown is featured in the track "Coco Chanel". Andree Gee from Uproxx asserted that their collaboration in the "swaggering" track remained "true to both rapper's Trini roots, with dancehall inspired drums fused over ominous keys." The song continues into the closing rails "Inspirations Outro".[21]

Release and promotion [edit]

On May 7, 2018, during an interview at the Met Gala, Minaj announced the anthology's title and original release appointment, which was and so delayed. It was initially scheduled for a June 15 release, but was later pushed back to August 10, and and so to August 17, before ultimately being released a week alee of schedule.[22] [23] [24]

To accompany the album'south release, Minaj launched her ain radio show titled Queen Radio, which aired on Beats 1.[25] The radio testify started August 9, 2018 and the most recent show aired on February 10, 2020.[26] The evidence featured celebrity guest appearances by Ariana Grande, Alicia Keys, Winnie Harlow, Kim Kardashian, Kelly Rowland, Swae Lee, Little Mix, Lil Wayne, Nene Leakes, Normani, Kandi Burruss, Lauren London, Kehlani, Tyga, Trina, Asian Doll, Cassie, Soulja Boy, Blac Chyna, Big Fendi, Joe Budden and Ts Madison.[27] [28] The prove unremarkably began with Minaj reading fans' tweets. Throughout the show, Minaj played a mixture of songs from her own playlist besides equally some tracks from the anthology. Additionally, Minaj gave advice to callers near their sex lives.[29] [30]

Minaj fabricated several tv set appearances and live performances in support of the album. On May xiii, 2018, Minaj performed "Chun-Li" live during Future's fix at Rolling Loud Festival in Miami.[31] She also performed the song during her Saturday Dark Live season finale advent on May 19, 2018.[32] On June 23, 2018, she performed a medley of "Chun-Li" and "Rich Sexual activity" at the BET Awards.[33] On August 13, 2018, she appeared every bit a invitee on The Late Show, and freestyled a personalized verse from "Barbie Dreams" dedicated to Stephen Colbert.[34] On Baronial 20, 2018, she performed a medley of "Majesty", "Barbie Dreams", "Ganja Fire", and "Fefe" alive from the PATH World Merchandise Eye station at the 2018 MTV Video Music Awards. On Nov iv, 2018, Minaj performed her song "Good Form" and "Adult female Like Me" with Petty Mix in Spain at the 2018 MTV Europe Music Awards.[35] On Nov 11, 2018, Minaj performed "Adept Form" and "Dip" with Tyga at the 44th People's Selection Awards[36] where Queen won the fan-voted laurels for the Album of 2018.

Merchandise and tour bundles were sold with the anthology.[37] Further promotion included a co-headlining NickiHndrxx Tour with American rapper Future.[38] Yet, it was announced on December 21, 2018 that Future was no longer part of the bout and Minaj would tour with late American rapper Juice Wrld instead; the Nicki Wrld Bout commenced in February 2019 in Europe.[39] [40]

Artwork and packaging [edit]

On June 7, 2018, Minaj released the cover art for the album on Twitter, shot by Mert and Marcus during the Ganja Burn music video shoot, which featured Minaj topless, sitting on a log.[41] She wears pasties and a caput-dress inspired by the aboriginal Egyptian queen Cleopatra.[42] [43]

Singles [edit]

"Chun-Li" was released on April 12, 2018 as the first unmarried aslope "Barbie Tingz".[44] As the pb single from the album, a vertical music video was released on Apr 13,[45] while the official video, directed by Steven Klein, was uploaded onto Minaj's YouTube and Vevo accounts on May 4.[46] It peaked at number ten on the US Billboard Hot 100 and number 6 on the Hot R&B/Hip-Hop Songs chart;[47] [48] and was certified platinum by the Recording Industry Association of America.[49] "Bed", featuring American vocalizer Ariana Grande, was released as the anthology's second unmarried on June xiv along with the album pre-order,[l] and was later serviced to gimmicky striking radio and rhythmic gimmicky radio in the United States on June 19.[51] [52] Its music video, directed by Hype Williams, premiered on July 6 on Minaj's YouTube and Vevo accounts.[53] The song peaked at number 42 on the Billboard Hot 100 and number nineteen on the Hot R&B/Hip-Hop Songs chart and was certified gold past the RIAA.[54] [47] [48]

"Barbie Dreams" was released as the album's 3rd single and serviced to rhythmic gimmicky radio in the United States on August 14.[55] The music video for the song was released on September eleven and was directed by Hype Williams.[56] It peaked at number 18 on the Billboard Hot 100 and number 13 on the Hot R&B/Hip-Hop Songs nautical chart and was certified gold by the RIAA.[47] [48] [57] "Majesty", featuring Eminem and Labrinth, and "Practiced Form" were scheduled to be serviced to radio as singles on October sixteen and November 13, respectively.[58] [59] Only the latter was released, with a remix featuring American rapper Lil Wayne, being serviced every bit the album's quaternary single with an accompanying music video, directed by Colin Tilley, on November 29. Information technology peaked at number 60 on the Billboard Hot 100 and number 29 on the Hot R&B/Hip-Hop songs chart.[60] [61]

Promotional singles [edit]

"Rich Sex" featuring American rapper Lil Wayne was released on June 11, 2018 as a promotional single from the album.[62] It peaked at number 56 on the Billboard Hot 100 and number 24 on the Hot R&B/Hip-Hop Songs chart.[47] [48]

Other songs [edit]

"Barbie Tingz" was released on April 12, 2018, alongside "Chun-Li".[44] It was originally intended to exist included on Queen but did not make the standard cutting, and instead is present on the Target Exclusive edition of the album.[63] Its music video, directed by Giovanni Bianco, was uploaded to Minaj'southward YouTube and Vevo accounts on May four.[46] The song peaked at number 25 on the Billboard Hot 100 and number 17 on the Hot R&B/Hip-Hop Songs nautical chart,[47] [48] and was certified gold by the Recording Industry Association of America.[64] "Ganja Burn down", the opening rails of the anthology, was supported past a music video directed past Mert and Marcus, released on August 13.[65] The vocal peaked at number 60 on the Billboard Hot 100 and number 27 on the Hot R&B/Hip-Hop Songs chart.[47] [48] "Difficult White" was as well supported past a music video released on February one, 2019. Minaj announced the release of the video a day earlier on Instagram[66] along with the proclamation of her Queen Fragrance.[67]

"Fefe" past American rapper 6ix9ine featuring Minaj and Murda Beatz was released on July 22, along with its accompanying music video, directed by TrifeDrew and William Asher.[68] It peaked at number 3 on both Billboard Hot 100 and the Hot R&B/Hip-Hop Songs chart and was certified eight× Platinum by the Recording Industry Association of America.[47] [48] "Fefe" was added to the tracklist days after the album release as track number twenty,[69] and but appears in the standard digital edition.

Critical reception [edit]

Professional ratings
Amass scores
Source Rating
AnyDecentMusic? six.five/10[71]
Metacritic 70/100[72]
Review scores
Source Rating
AllMusic [ii]
Entertainment Weekly B[vi]
The Guardian [7]
HipHopDX 3.iv/5[73]
The Independent [74]
NME [75]
Pitchfork 7.six/x[76]
Rolling Rock [77]
Spin [78]
Vice (Expert Witness) A–[79]

Queen was met with mostly positive reviews from critics, who praised the production but derided the length and full general lack of direction. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an boilerplate score of 70, based on 22 reviews.[72]

In a positive review, Ella Jukwey of The Contained wrote that Queen is "the most important album of Minaj's career then far. It'south the start fourth dimension in her career that she has faced real opposition, and this latest tape suggests that contest brings out the best in her. Information technology may lack cohesion at certain points, simply i thing is never in doubt: Minaj is nonetheless one of the all-time in her field."[74] Reviewing for Vice, Robert Christgau said Minaj'due south anthology and Eminem'due south 2018 Kamikaze record are "quick-lipped, sharp-tongued arguments for the hip-hop they and I came up on and the endangered kind of menses both excel at. And both are funny, outrageous, self-confident announcements that neither artist has whatever intention of going away."[79]

For Billboard, Kathy Iandoli stated that Queen "exists to exemplify Nicki'due south proven longevity, which is enough of a rarity to finally declare her as well-deserved rap royalty", although was critical of the album's length.[lxxx] [81] Briana Younger of Pitchfork gave the album a positive review, stating "the connections between by and present, between way and form, make Queen experience like her near creatively honest album."[76] Erin Lowers from Exclaim! gave the album a positive review, saying it highlighted the rapper's "ability to adapt to an always-changing sonic landscape" and concluding that Minaj wasn't going anywhere someday soon.[82] The A.5. Social club gave it a B+, stating in their review, "Musically, she avoids flavour-of-the-moment trend-hopping in favor of lusher, more broadly poppy product [...] it's a lot of fun, but not quite the instant classic for which Minaj seems to have been aiming."[83]

In a mixed review, Bryan Rolli of Forbes concluded that Queen is "a peachy 10-song anthology hiding within a messy 19-song album", though complimented Minaj's lyricism, and said the album "gives fans plenty to sink their teeth into."[ten] Mikael Wood of the Los Angeles Times, felt that Minaj "spends so much time describing her dominance that a clear conclusion is that she fears it'south beginning to erode [...] all the back-in-my-solar day stuff suggests a lack of confidence in her unique perspective."[84] For The Washington Post, Chris Richards said, "Queen only feels continued to the current rap zeitgeist in the saddest way, equally another portrait of a visionary rapper in decline."[85] Carl Anka of NME wrote, "Unfortunately, in trying to take on all comers at once, there are parts of Queen that experience similar an overreach. At that place is a better x track effort hiding in Queen, but y'all get the impression Nicki kept tracks like "Miami" to hedge her bets in a bid for streaming success."[75] Mosi Reeves of Rolling Stone wrote that Queen brings a new Nicki Minaj character: "the purple, haughty monarch, a woman who insists on sword-sharpened rhymes as a prerogative for excellence" just taking note of the "flabby, meandering mid-section."[77]

In an unfavorable review, The Hollywood Reporter 'south Jonny Coleman deemed the album "[a] joyless mess" and summarized, "Minaj doesn't really investigate any of her problems with herself or others in any meaningful manner on the new anthology. When all is said and done, it'south simply some other playlist of disconnected mish-mash bangers that we'll probably forget in two weeks."[86] The Atlantic 's Spencer Kornhaber criticized the lyrical content of "Hard White", describing information technology every bit sexist and undermining Minaj'due south feminist position.[87] Online hip hop publication HipHopDX criticised the album for a lack of depth and its run time, saying: "There are no deep layers to be uncovered on Queen."[73]

Commercial performance [edit]

In the U.s., the album debuted at number two on the Billboard 200 with 185,000 album-equivalent units, of which 78,000 were from pure album sales. The album debuted behind Astroworld by American rapper Travis Scott, which spent a 2d calendar week on top. Queen saw its sales bolstered by a diverseness of trade/anthology bundles sold via Minaj'southward website, also as from sales generated by a concert ticket/album auction redemption offering with her and so-upcoming co-headlining tour with Future.[37] The anthology dropped i place to number iii in its second week, earning an additional 95,000 album-equivalent units.[88] The album dropped to the number five position on the Billboard chart in the third week, moving 64,000 equivalent units.[89] In the fourth week, Queen slipped from the number five to vii position on the Billboard charts, moving 47,000 equivalent-units.[90]

In Australia, Queen opened at number four on the ARIA Albums Nautical chart, becoming Minaj's highest charting album in the land.[91] In Canada, the album debuted at number two on the Canadian Albums Chart, backside Scott'south Astroworld.[92] It serves as Minaj'south fourth consecutive acme-ten album in the country.[92] In the United Kingdom, Queen debuted at number five on the Great britain Albums Nautical chart, becoming the rapper'due south second acme-ten album on the chart.[93] The album besides reached the top ten in other music markets, such equally Kingdom of belgium (Wallonia), Netherlands, Ireland, New Zealand, Norway, and Switzerland. Queen is too Minaj'southward highest peaking anthology in France and Germany, where it debuted at number seven and 18 respectively.

In January 2019, Queen was certified Platinum by the Recording Industry Association of America (RIAA) for i 1000000 equivalent units in the U.s..[94] In February 2022, the album surpassed ii Billion streams on Spotity, making it her second album to achieve such feat.

Accolades [edit]

Track listing [edit]

Queen – Standard edition
No. Title Author(s) Producer(due south) Length
1. "Ganja Burn down"
  • Onika Maraj
  • Jeremy Reid
  • Jairus Mozee
 J. Reid 4:54
2. "Majesty" (with Labrinth, featuring Eminem)
  • Maraj
  • Timothy McKenzie
  • Marshall Mathers
  • Luis Resto
  • Labrinth
  • Eminem[b]
4:55
iii. "Barbie Dreams"
  • Maraj
  • Rashad Smith
  • Melvin Hough Two
  • Rivelino Raoul Wouter
  • Christopher Wallace
  • James Brown
  • Fred Wesley
  • Rashad Smith
  • Mel and Mus
 iv:39
4. "Rich Sex" (featuring Lil Wayne)
  • Maraj
  • Dwayne Carter
  • Reid
  • Jawara Headley
  • Aubry Delaine
  • J. Reid
  • Large Juice[b]
3:12
5. "Hard White"
  • Maraj
  • Matthew Samuels
  • Ramon Ibanga Jr.
  • Brittany Hazzard
  • Boi-1da
  • Illmind
 3:13
6. "Bed" (featuring Ariana Grande)
  • Maraj
  • Benjamin Diehl
  • Gamal Lewis
  • Brett Bailey
  • Mescon David Asher
  • Dwayne Mentum-Quee
  • Ben Billions
  • Beats Bailey
  • Supa Dups
  • Messy[a]
three:09
7. "Thought I Knew You" (featuring the Weeknd)
  • Maraj
  • Abel Tesfaye
  • Hazzard
  • Reid
 J. Reid 3:18
8. "Run & Hide"
  • Maraj
  • Hazzard
  • Rupert Thomas Jr.
  • Masamune Kudo
  • Sevn Thomas
  • Rex Kudo
 2:34
9. "Chun Swae" (featuring Swae Lee)
  • Maraj
  • Khalif Brown
  • Leland Wayne
  • Metro Boomin
 6:10
10. "Chun-Li"
  • Maraj
  • Reid
  • J. Reid
  • Nicki Minaj[a]
3:11
11. "LLC"
  • Maraj
  • Rasool Diaz
  • Wesley Dees
  • Jason Fox
  • Sool
  • DJ Wes
  • JFK
 3:41
12. "Good Grade"
  • Maraj
  • Michael Williams II
  • Asheton Hogan
  • Mike Will Made It
  • Pluss
 3:19
thirteen. "Nip Constrict"
  • Maraj
  • Hazzard
  • Jeremy Coleman
  • Daniel Johnson
  • June Nawakii
  • JMIKE
  • June Nawakii
  • Kane Beatz
 3:27
14. "2 Lit ii Late Interlude"
  • Maraj
  • Hazzard
  • Julian Gramma
  • Adam King Feeney
  • J Gramm
  • Frank Dukes
 0:55
15. "Come up See About Me"
  • Maraj
  • Hazzard
  • Christopher Braide
  • Henry Walter
  • Chris Braide
  • Cirkut
 4:06
16. "Sir" (featuring Future)
  • Maraj
  • Nayvadius Wilburn
  • Wayne
  • Xavier Dotson
  • Metro Boomin
  • Zaytoven
 3:44
17. "Miami"
  • Maraj
  • Shane Lindstrom
  • Diaz
  • Douglas Patterson
  • Murda Beatz
  • Sool[a]
3:10
18. "Coco Chanel" (featuring Foxy Brown)
  • Maraj
  • Joshua Adams
  • Inga Marchand
  • Ashley Bannister
  • Dillon Hart Francis
  • Sonny Moore
  • J Beatzz
  • Blank[a]
iii:44
nineteen. "Inspirations (Outro)"
  • Maraj
  • Adams
  • Bannister
  • Dillon
  • Moore
  • J Beatzz
  • Blank[a]
0:58
Full length: 66:xix
Queen – Digital standard edition [96]
No. Title Writer(southward) Producer(south) Length
20. "Fefe" (6ix9ine featuring Nicki Minaj and Murda Beatz)
  • Daniel Hernandez
  • Maraj
  • Lindstrom
  • Kevin Gomringer
  • Tim Gomringer
  • Andrew Green
 Murda Beatz 2:59
Total length: 70:00
Queen – Palatial edition
No. Championship Writer(s) Producer(s) Length
xx. "Good Form" (featuring Lil Wayne)
  • Maraj
  • Michael Williams 2
  • Asheton Hogan
  • Carter
  • Mike Will Fabricated Information technology
  • Pluss
 3:57
Total length: 70:16
Queen – Target and Japanese edition
No. Title Writer(due south) Producer(s) Length
20. "Barbie Tingz"
  • Maraj
  • Reid
 J. Reid three:11
21. "Regular Degular"
  • Maraj
  • Vincent Watson
  • Cory Martin
  • Invincible
  • Lowkey[b]
3:33
Total length: 73:14

Notes

  • ^[a] signifies a co-producer.
  • ^[b] signifies an additional producer.
  • "Ganja Burn" was incorrectly titled as "Ganja Burns" upon release
  • "Miami" features boosted vocals by Douglas Patterson
  • "Fefe" is titled as 'FEFE' in the official tracklist and was added halfway through Queen'south first calendar week

Sample credits

  • "Barbie Dreams" contains interpolations from "Simply Playing (Dreams)", written by Christopher Wallace and Rashad Smith, as performed by The Notorious B.I.G.; samples and interpolations from "Dejection & Pants", written by James Brown and Fred Wesley, as performed by Dark-brown
  • "Coco Chanel" and "Inspirations (Outro)" incorporate elements and samples from "Bun Up the Trip the light fantastic", written past Dillon Hart Francis and Sonny Moore, equally performed by Dillon Francis and Skrillex

Personnel [edit]

Credits adjusted from Queen anthology liner notes.[97]

Musicians [edit]

  • Nicki Minaj – primary vocals (all tracks, featured on FEFE)
  • 6ix9ine – main vocals (track 20 (bonus))
  • Labrinth – main vocals (rails 2)
  • Eminem – featured vocals (track 2)
  • Lil Wayne – featured vocals (track 4, track 20 (deluxe))
  • Ariana Grande – featured vocals (track six)
  • The Weeknd – featured vocals (track 7)
  • Swae Lee – featured vocals (rail 9)
  • Time to come – featured vocals (track 16)
  • Murda Beatz – featured artist (rail xx (bonus))
  • Foxy Dark-brown – featured vocals (track eighteen)
  • Douglas Patterson – boosted vocals (rail 17)
  • Jairus Mozee – guitars (track 1)
  • Luis Resto – additional keyboards (track 2)
  • OP! – additional programming (runway 3)

Production [edit]

  • Dwayne "Tha President" Carter – executive production
  • Bryan "Baby Birdman" Williams – executive product
  • Ronald "Slim tha Don" Williams – executive production
  • Nicki Minaj – co-executive production, co-production (track 10)
  • Jenny Beal – anthology production
  • Michelle Ayabarreno – album production
  • J. Reid – production (tracks 1, 4, 7, 10, and 21 (Target))
  • Labrinth – production (track 2)
  • Rashad "Ringo" Smith – production (track 3)
  • Mel and Mus – production (rail 3)
  • Boi-1da – production (track 5)
  • Illmind – production (rail 5)
  • Ben Billions – production (track vi)
  • Beats Bailey – production (rails 6)
  • Dwayne "Supa Dups" Chin-Quee – product (track 6)
  • Sevn Thomas – production (track 8)
  • Rex Kudo – production (rails 8)
  • Metro Boomin – production (tracks 9 and xvi)
  • Sool – product (tracks 11 and 17)
  • DJ Wes – production (track eleven)
  • JFK – production (track 11)
  • Mike Will Made It – production (track 12)
  • Pluss – product (track 12)
  • JMIKE – product (track 13)
  • June Nawakii – product (track 13)
  • Kane Beatz – production (track 13)
  • J Gramm – production (track 14)
  • Frank Dukes – product (track 14)
  • Christopher Braide – product (track 15)
  • Henry "Cirkut" Walter – product (rails 15)
  • Zaytoven – product (track 16)
  • Murda Beatz – product (tracks 17 and 20 (bonus))
  • J Beatzz – production (tracks 18 and nineteen)
  • Invincible – production (track 20 (Target))
  • Messy – co-production (runway 6)
  • Ashley "Bare" Bannister – co-production (tracks 18 and nineteen)
  • Cubeatz – co-production (track xx (bonus))
  • Lowkey – co-product (runway xx (Target))
  • Eminem – additional production (track 2)
  • Aubry "Big Juice" Delaine – additional production (track 4)

Technical [edit]

  • Aubry "Big Juice" Delaine – tape engineering (all tracks), mixing (tracks 5, sixteen, and 21 (Target))
  • Labrinth – record technology (tracks 1, two, 11, and 21 (Target))
  • Mike Strange – record engineering (track 2)
  • Joe Strange – tape engineering (rails 2)
  • Jeff Edwards – tape engineering (track iv)
  • Manny Galvez – record engineering (track 4)
  • Shin Kamiyama – record engineering (track 7)
  • Randy Lanphaer – record engineering (track 9)
  • Swae Lee – record engineering (track 9)
  • Jeremy Reid – tape engineering (runway eighteen)
  • Wizard Lee Weinberg – record engineering (track 20 (bonus)), mixing (track 20 (bonus)), mastering engineering (track 20 (bonus))
  • Laura Bates – record technology assistance (tracks ane, 3, seven, 10, xi, and 21 (Target)), mixing assistance (tracks five, 10, 16, and 21 (Target))
  • Iván Jiménez – tape applied science assistance (tracks ane, 10, xi, and 21 (Target)), mixing assistance (runway 16)
  • Brian Judd – tape engineering assistance (tracks 1, four, 7, ix, 11, 13, and 17)
  • Nick Valentin – record engineering assist (tracks 1, two, half-dozen, 8, 12–xv, and 20 (Target))
  • Alex Estevez – tape technology assistance (track 2)
  • Todd Bergman – record technology assistance (track 3)
  • Jamal Berry – tape engineering assistance (tracks 4 and 15)
  • Jason Delattiboudere – record technology help (track four)
  • Ludovick Tartavel – tape engineering assistance (rail 5)
  • Yann Bordeo – tape engineering aid (track 5)
  • Iain Findlay – record technology assistance (tracks five and 16)
  • Jordon Silva – tape engineering assistance (tracks 5 and xvi)
  • William Knauft – record engineering assistance (tracks 6, 11, and 15)
  • Cory Williams – record engineering assistance (tracks 9 and 14)
  • Matthew Sim – record engineering help (tracks 12, 17, and 18)
  • Jason Staniulis – tape engineering science assistance (tracks 12, 17–19)
  • Kenta Yonesaka – record engineering assistance (tracks 12, 17, and 18)
  • Shane Goodridge – record applied science assist (tracks 18 and 19)
  • Jaycen Joshua – mixing (tracks 1, 3–five, 7, 9, eleven, 12, xiv, fifteen, 17–19)
  • Eminem – mixing (track 2)
  • Mike Strange – mixing (runway 2)
  • Serban Ghenea – mixing (tracks vi and 13)
  • Jon Castelli – mixing (tracks eight and 20 (Target))
  • John Hanes – mixing engineering (tracks vi and 13)
  • Ingmar Carlson – mixing engineering (track 8)
  • Josh Deguzman – mixing technology (track twenty (Target))
  • David Nakaji – mixing assistance (tracks 1, three, 5, 7, 9, 11, 12, xiv, 15, 17–xix)
  • Ben Milchev – mixing assistance (tracks 1, 3, 5, vii, nine, 11, 12, 14, 15, 17–xix)
  • Jacob Richards – mixing assistance (track 4)
  • Rashawn Mclean – mixing assistance (runway 4)
  • Mike Seaberg – mixing assistance (track 4)
  • Chris Athens – mastering (tracks one, 3–19, twenty (Target), and 21 (Target))
  • Brian "Large Bass" Gardner – mastering (track 2)

Artwork [edit]

  • Marcus Piggott – photography
  • Mert Alas – photography
  • Jenna Marsh – artistic management
  • Joe Perez – creative direction
  • Katie McIntyre – type design, art direction assistance
  • Allen Chiu – blazon design drawing

Charts [edit]

Certifications [edit]

Release history [edit]

Come across too [edit]

  • List of UK R&B Albums Nautical chart number ones of 2018

References [edit]

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External links [edit]

  • Official website Edit this at Wikidata
  • Did It On Em Socks

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Source: https://en.wikipedia.org/wiki/Queen_%28Nicki_Minaj_album%29

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